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Zar Amir Ebrahimi
Zahra Amir Ebrahimi, born on July 9, 1981, is a prominent Iranian-French actress, producer, and director, known professionally as Zar Amir Ebrahimi. Her international acclaim reached new heights with her compelling portrayal of journalist Arezoo Rahimi in the crime thriller “Holy Spider” (2022), a performance that earned her the prestigious Cannes Film Festival Award for Best Actress and the Robert Award for Best Actress.
Beyond her acting prowess, Amir Ebrahimi is a multifaceted talent who extends her influence across various platforms. She serves as a producer and host for the BBC, overseeing a cultural program for the Persian branch of BBC World. Recognizing her impact, she secured a spot on the BBC’s 100 Women list in 2022, a testament to her standing as one of the world’s inspiring and influential women.
In a groundbreaking collaboration, Amir Ebrahimi ventured into directing and co-starred in the political thriller film “Tatami” alongside Academy Award-winning director Guy Nattiv. This marked a historic milestone as the first joint directorial effort between an Iranian and an Israeli filmmaker. “Tatami” premiered at the 80th Venice International Film Festival, where Zahra Amir Ebrahimi made history by becoming the first Iranian actress to claim the Best Actress award at the 36th Tokyo International Film Festival for her exceptional performance in the film.
Looking ahead, Zahra Amir Ebrahimi continues to contribute to the global film landscape. In October 2023, it was revealed that she would join the jury of the 20th Marrakech International Film Festival, presided over by Jessica Chastain. Furthermore, underscoring her global recognition, Amir Ebrahimi made a significant move in November 2023 by signing with the prestigious Hollywood agency, United Talent Agency. This strategic move positions her for further success on the international stage, cementing her status as a talent to watch in the world of cinema.
Education
Having pursued theater studies at Azad University, she initiated her professional journey through the creation of short films. Fluent in Persian, English, and French, she also possesses a foundational understanding of Arabic, German, and Italian languages.
Career
Amir Ebrahimi embarked on her career at the young age of eighteen, directing her first short film, “Khat” in 2000. Simultaneously, she showcased her acting prowess in Reza Keshavarz’s play “Water” during the 19th Fajr Theatre Festival. Her feature film debut came in 2001 with “Waiting,” directed by Mohammad Nourizad, where she starred alongside Mohammad Ali Keshavarz. In the same year, she participated in Ayat Najafi’s play “Sleepy Noon” at the Niavaran Cultural Center of Tehran. The year 2003 saw Amir Ebrahimi in notable plays like Rahman Seifi Azad’s “Gathering in Hell” and Reza Hadad’s “There Is No One Who Can Remember All the Stories,” both performed at the 22nd Fajr Theatre Festival. The latter was also showcased at the Lakoon Theatre Festival in Hamburg.
Following her role in the television series “Nargess,” Amir Ebrahimi faced a national scandal when a private video purportedly featuring her was leaked, resulting in a 10-year ban from Iranian films and television. “Journey to Hidalou” was also prohibited from screening due to the controversy. Despite these challenges, Amir Ebrahimi continued to make significant contributions to the film industry. In 2019, she featured in various projects, including the French film “Adopt a Daddy,” Hossein Pourseifi’s “Tomorrow We Are Free,” and Manon Coubia’s short film “Tide.” Her commitment to cultural freedom was acknowledged when she received the Hamburg Award for Cultural Freedom in 2019. Her accomplishments reached global recognition when she won the Best Actress award at the Cannes Film Festival for “Holy Spider,” leading to condemnation from the Iranian government. Subsequently, she faced threats but continued her successful career with roles in films like “White Paradise.”
In 2023, Amir Ebrahimi’s achievements continued to soar. She was honored at the Variety + Golden Globes Breakthrough Artists Awards Party and invited to join The Academy. Her involvement extended to film festivals, where she served on the jury for the Locarno Film Festival and the Marrakech International Film Festival. Amir Ebrahimi’s directorial venture, “Tatami,” co-directed with Guy Nattiv, premiered at the 80th Venice International Film Festival. Notably, she became the first Iranian actress to win the Best Actress award at the 36th Tokyo International Film Festival for “Tatami.” The trajectory of her career remained upward with a starring role in the film adaptation of “Reading Lolita in Tehran,” announced in May 2023. Her accomplishments earned her a place on BBC’s 100 Women list and a significant move to join the United Talent Agency in Hollywood in November 2023.
Personal Life
In 2006, Zar Amir Ebrahimi found herself at the epicenter of a highly publicized Iranian sex tape scandal that shook her personal and professional life. The controversy erupted when a videotape, purportedly featuring Amir in intimate relations with a man, surfaced on the internet and was subsequently released on DVD. Tehran’s chief prosecutor, Saeed Mortazavi, initiated an official investigation, advocating for severe penalties, including death sentences, for those responsible for disseminating such explicit content.
Amir vehemently refuted her involvement in the tape during an interview with The Guardian, attributing it to a vindictive ex-fiancé. She claimed the footage was a fabrication, skillfully assembled through studio techniques to tarnish her reputation and career. However, she later conceded that the tape did indeed portray her and a boyfriend, asserting that it had been stolen from their apartment. The male participant reportedly fled to Armenia but was eventually returned to Iran, facing charges under public morality laws. Addressing rumors of a suicide attempt, Amir reassured the public with a statement emphasizing her resilience and commitment to defending the honor of Iranian women.
Consequently, Amir Ebrahimi faced severe consequences in Iran, enduring a 10-year ban from participating in Iranian films and television. Additionally, she received a prison sentence and ninety-nine lashes, despite the prosecutor initially seeking a six-year term. On March 1, 2008, the day slated for her court appearance, Amir fled Iran and sought refuge in Paris, France, where she has resided in exile ever since. In her French sanctuary, she found support among fellow Iranian exiles, including close friend Golshifteh Farahani. The individual responsible for leaking the tape, a friend and fellow actor unrelated to its content, received a six-year prison sentence but was released after serving two months.
Amir Ebrahimi officially became a French citizen in 2017, marking a significant chapter in her life as she navigated the challenges and repercussions of a tumultuous past. Zar Amir Ebrahimi
Mini Bio
| Name | Info |
|---|---|
| Name | Zahra Amir Ebrahimi |
| Birth of Date | 9 July 1981 |
| Birth Place | Tehran, Iran |
| Citizenship |
|
| Profession | Actress |
| Career | 1999 – Present |
| Award Wins | 7 + |
| Award Nominations | 5 + |
| Husband | N/A + |
| University | Azad University |
| Theatre | 8 + |
| Television | 12 + |
| Films | 20 + |
| Director | N/A + |
Flims / Movies
| Year | Title |
|---|---|
| 2000 | Khat |
| 2001 | Waiting |
| 2006 | Journey to Hidalou |
| 2008 | Shirin |
| 2015 | A Souvenir for My Mother |
| 2015 | Jila |
| 2016 | Bride Price vs. Democracy |
| 2017 | Tehran Taboo |
| 2019 | Adopt a Daddy |
| 2019 | Tide |
| 2019 | Tomorrow We Are Free |
| 2022 | Holy Spider |
| 2022 | White Paradise |
| 2023 | Shayda |
| 2023 | Seven Winters in Tehran |
| 2023 | My Worst Enemy |
| 2023 | Tatami |
| 2023 | Please Rise |
| TBA | Reading Lolita in Tehran |
| TBA | Honor of Persia |
Television / Shows
| Year | Title |
|---|---|
| 2004 | Vow |
| 2004 | Help Me |
| 2004 | Like a Stranger |
| 2006 | Nargess |
| 2011 | Great Persians |
| 2015–2017 | Silex and the City |
| 2018–2020 | 50 Shades of Greek |
| 2018 | Amir Naderi by Amir Naderi |
| 2018 | Kahani’s Cinema |
| 2018 | One Day in Tehran |
| 2019 | 40 Years, 40 Films |
| 2022 | Portrait of Women in Iranian Cinema |

