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Suzume (2023 film)
Suzume (Japanese: すずめの戸締まり, Hepburn: Suzume no Tojimari, lit. ’Suzume’s Locking Up’) is a 2022 Japanese animated coming-of-age fantasy adventure film written and directed by Makoto Shinkai, a prominent figure in the world of anime. Produced by CoMix Wave Films and distributed by Toho, the film is a captivating exploration of friendship, destiny, and the supernatural.
The narrative unfolds around 17-year-old high school girl Suzume Iwato and the mysterious Souta Munakata. Together, they embark on a quest to prevent calamities across Japan by sealing doors that release a colossal, supernatural worm causing earthquakes. As doors open to otherworldly realms, the duo faces challenges that delve into the emotional and mystical fabric of their existence.
The film boasts a stellar cast, with Nanoka Hara lending her voice to Suzume Iwato and Hokuto Matsumura portraying Souta Munakata. Character designs by Masayoshi Tanaka, animation direction by Kenichi Tsuchiya, art direction by Takumi Tanji, and a compelling musical score by Radwimps and Kazuma Jinnouchi enhance the visual and auditory experience. This collaboration marks Shinkai’s third venture with Radwimps and Tanaka, following the success of Your Name (2016) and Weathering with You (2019).
Inspired by the 2011 Tōhoku earthquake and tsunami, Suzume grapples with themes of loss, destiny, and the consequences of tampering with supernatural forces. The film premiered in IMAX in Japan on November 7, 2022, followed by a nationwide theatrical release on November 11. Initial reviews praised its animation, characters, emotional depth, and music. However, some critics noted structural similarities to Shinkai’s earlier works.
The plot introduces Suzume Iwato, a high school girl living with her aunt in the Kyushu region. Her ordinary life takes a fantastical turn when she encounters Souta Munakata, a stranger on a mission to close doors scattered across Japan. These doors, when left open, unleash a powerful worm, triggering earthquakes. Suzume becomes entangled in Souta’s quest, leading them to various locations and unveiling the supernatural elements at play.
The film’s first act sets a mysterious and engaging tone as Suzume and Souta grapple with the enigmatic doors. The animation brings these mystical settings to life, captivating the audience with the allure of the unknown. The comedic elements, particularly Souta’s transformation into a chair and the presence of a cat with mystical significance, add charm and humor to the storyline.
As the narrative progresses, Suzume and Souta traverse different regions, meeting locals, and confronting the consequences of the open doors. The film skillfully balances moments of tension with lightheartedness, creating a dynamic and engaging viewing experience. The emotional weight of the story intensifies as the characters confront the implications of their actions.
Suzume takes viewers on a visual and emotional rollercoaster, showcasing Shinkai’s directorial prowess. The animation reaches new heights, especially in scenes where supernatural entities manifest, creating breathtaking visuals that resonate with the audience. The soundtrack by Radwimps and Kazuma Jinnouchi complements the narrative, enhancing the emotional impact of key moments.
However, the film’s plot becomes a point of contention. While the first 80% of the movie captivates with its mystery and character dynamics, the conclusion leaves some questions unanswered. The supernatural elements introduced lack thorough explanation, and the romantic subplot, a trademark of Shinkai’s works, takes a dramatic turn that may feel forced to some viewers.
In comparison to Shinkai’s earlier masterpieces like Your Name and 5 Centimetres Per Second, Suzume falls short in terms of plot depth. The director’s attempt to incorporate familiar elements from previous successes is evident, and while the film delivers a good viewing experience, it leaves room for more profound exploration of its themes.
Despite these critiques, Suzume has earned acclaim for its overall impact. The combination of Shinkai’s direction, stunning animation, and a compelling soundtrack makes it a visually and emotionally resonant piece of cinema. The voice cast, led by Nanoka Hara and Hokuto Matsumura, contributes to the film’s charm, breathing life into the characters.
In the realm of Japanese animated films, Suzume has left a significant mark, both commercially and critically. Its box office success, accolades, and nominations at prestigious awards ceremonies attest to its widespread appeal. As audiences reflect on the film, the debate between the undeniable visual and emotional strengths and the plot’s occasional shortcomings continues, making Suzume a captivating and thought-provoking addition to Makoto Shinkai’s impressive filmography.
Summary
Suzume Iwato, a 17-year-old high school girl residing in a tranquil Kyushu town in 2023, leads an ordinary life until a chance encounter alters her reality. On her way to school, she assists a young man in search of an abandoned area with a peculiar door. Guiding him to a nearby deserted onsen (spa) resort, Suzume stumbles upon a standalone door, revealing a starlit field beyond her reach. Startled by a cat statue that transforms into a real cat, she hastily retreats to school.
During lunch, Suzume witnesses an unexplained column of smoke rising from the abandoned resort. Racing back, she finds the same man struggling with the door. Joining forces, they manage to close it, triggering an earthquake in a nearby area concealed by the column of smoke.
Taking the man, Souta Munakata, to her home, Suzume learns that he is a “Closer” tasked with locating and sealing specific doors in abandoned places to prevent a powerful supernatural entity, the “worm,” from causing earthquakes. As they converse, the cat from the resort reappears, transforming Souta into a chair. Pursuing the cat, now named Daijin, Suzume and the transformed Souta embark on a journey.
Their travels lead them to Ehime, where they discover Daijin’s identity through social media. Assisted by a local girl, Chika Amabe, they locate the worm and seal a door in an abandoned school. The trio spends the night at Chika’s home. The following day, after parting with Chika, they hitch a ride to Kobe with Rumi Ninomiya, a woman with twin children. In Kobe, they confront the worm at an abandoned amusement park, successfully locking the door and preventing its emergence.
Souta reveals the existence of the Ever-After, a realm for departed souls, accessed through the doors. Tracking Daijin to Tokyo, Souta discloses his lineage as the last guardian responsible for sealing the worm with two keystones, Daijin being one. The eastern keystone’s location remains unknown. The worm threatens Tokyo, prompting Suzume and Souta to intervene. Daijin transfers his keystone function to Souta, who, with Suzume’s reluctant assistance, locks the worm in the Ever-After.
Awakening at a shrine in Tokyo, Suzume witnesses Souta in the Ever-After but is unable to enter. Daijin appears, and Suzume, angered, bids him not to return. Seeking answers, she consults Souta’s grandfather, Hitsujirō Munakata, who reveals her unique ability to see the Ever-After stems from a past entry through a door. Suzume must locate this specific door in her hometown in the Tōhoku region.
On her journey, Suzume encounters Souta’s friend, Tomoya Serizawa, and her aunt, Tamaki, who is possessed by Sadaijin, the eastern keystone. Suzume refuses to return to Kyushu, determined to save Souta. At her old home’s ruins, she finds the door, entering with Daijin and Sadaijin. In the Ever-After, they distract the worm, enabling Souta’s return to human form. Daijin and Sadaijin sacrifice themselves to become keystones, sealing the worm permanently.
In the Ever-After, Suzume encounters her younger self from 12 years ago, gifting her a childhood chair for strength. The young Suzume decides to leave the Ever-After, leading to her past encounter with Tamaki. Suzume and Souta leave the Ever-After, with Souta returning to Tokyo and Suzume to Kyushu, revisiting friends made on their journey.
Back in Kyushu, Suzume encounters Souta at the location of their initial meeting, completing a cycle of their intertwined destinies.
The narrative unfolds seamlessly, blending supernatural elements with emotional depth. Suzume’s quest to close doors, prevent calamity, and reconcile with her past creates a compelling journey, enhanced by Shinkai’s masterful direction and RADWIMPS’ evocative soundtrack. Despite plot intricacies and unaddressed supernatural elements, the film delivers a captivating experience, showcasing Shinkai’s ability to elicit profound emotions through storytelling and animation. While not without its flaws, Suzume stands as a testament to Shinkai’s creative prowess, leaving viewers both enchanted and contemplative.
Release Date
Suzume, the highly anticipated film, had an exclusive IMAX screening on November 7, 2022, for fortunate attendees selected through a lottery system. Toho subsequently released the film nationwide in 420 theaters across Japan on November 11, encompassing both regular and IMAX showings, with additional midnight screenings in 11 theaters across six Japanese cities. The movie made its international debut at the 73rd Berlin International Film Festival on February 23, 2023, competing and marking a significant moment as the first anime film in competition since Spirited Away in 2002.
The film’s Asian release spanned various dates: March 2 in Hong Kong, Taiwan, and Macau; March 8 in Indonesia, the Philippines, and South Korea; March 9 in Malaysia and Singapore; March 10 in Vietnam; March 24 in China; April 13 in Thailand; and April 21 in India. Crunchyroll, Sony Pictures, and Wild Bunch International secured global distribution rights in May 2022. The film had special screenings worldwide, including London and New York, and marked its North American premiere at the New York International Children’s Film Festival on March 5. In April, a special screening in Mumbai, attended by the director Makoto Shinkai, celebrated the film’s premiere in Japanese and Hindi dub for the Indian audience.
Suzume’s international screenings continued, reaching countries across Europe, the Americas, the Middle East, and Africa from April to May 2023. English-language dubs accompanied the original Japanese version in select countries. The film’s home release in Japan on September 20, 2023, included English and Chinese subtitles, with a collector’s edition boasting a 4K Ultra HD Blu-ray and various bonus features. Crunchyroll started streaming the film on November 16, 2023, followed by Blu-ray and DVD releases in North America on March 12, 2024, and in the United Kingdom on April 1.
Tv Series Cast
Top Four Cast
| Character | Japanese Cast | English Cast |
|---|---|---|
| Suzume Iwato (岩戸 鈴芽, Iwato Suzume) | Nanoka Hara Akari Miura (young) |
Nichole Sakura Bennet Hetrick (young) |
| Souta Munakata (宗像 草太, Munakata Sōta) | Hokuto Matsumura | Josh Keaton |
| Tamaki Iwato (岩戸 環, Iwato Tamaki) | Eri Fukatsu | Jennifer Sun Bell |
| Minoru Okabe (岡部 稔, Okabe Minoru) | Shota Sometani | Roger Craig Smith |
| Rumi Ninomiya (二ノ宮 ルミ, Ninomiya Rumi) | Sairi Ito | Amanda C. Miller |
| Chika Amabe (海部 千果, Amabe Chika) | Kotone Hanase | Rosalie Chiang |
| Tsubame Iwato (岩戸 椿芽, Iwato Tsubame) | Kana Hanazawa | Allegra Clark |
| Hitsujirō Munakata (宗像 羊朗, Munakata Hitsujirō) | Matsumoto Hakuō II | Cam Clarke |
| Tomoya Serizawa (芹澤 朋也, Serizawa Tomoya) | Ryūnosuke Kamiki | Joe Zieja |
| Daijin (ダイジン) | Ann Yamane | Lena Josephine Marano |
| Miki (ミキ) | Aimi | Mela Lee |
Shinkai made a deliberate decision to feature a female protagonist in his upcoming film, following the male lead in “Weathering with You.” Feeling the need for a companion character, initially, he envisioned a sisterly relationship between Suzume and another girl, aiming for a different romantic dynamic. However, his producer advised against deviating too far from the typical romance elements that resonated with their audience. Consequently, the unconventional choice of a chair as Suzume’s companion emerged. This decision served to prevent the film from leaning excessively into romance and to infuse a lighter atmosphere, countering the potential somberness that could accompany a storyline centered around mourning a place.
Various alternatives were considered for Suzume’s partner, ranging from a character transforming into a monster to inorganic entities like a milk carton. The idea of a chair struck Shinkai when he encountered an abandoned wooden chair at a bus stop, appreciating its unique and foreign quality compared to his earlier concepts. Moving away from a conventional love story, Shinkai aimed to explore diverse relationships, such as the one between Suzume and her aunt.
The voice cast for the film was carefully selected, with Nanoka Hara securing the role of Suzume Iwato through a competitive audition with over 1,700 participants. Hara, a fan of Shinkai’s works, expressed her excitement at being part of his cinematic universe. Hokuto Matsumura, playing Souta Munakata, approached the character with a unique voice that Shinkai found impressive and perfectly suited to the role. The addition of seasoned actors like Eri Fukatsu and Shota Sometani, as well as the return of Ryūnosuke Kamiki, further enriched the ensemble cast, promising a captivating exploration of relationships beyond the conventional romantic narrative.
Information
| Name | Info |
|---|---|
| Directed & Written | Makoto Shinkai |
| Kanji | すずめの戸締まり |
| Cinematography | Ryōsuke Tsuda |
| Produced |
|
| Edited | Makoto Shinkai |
| Music |
|
| Production |
|
| Distributed | Toho |
| Box office | $323.3 million |
| Time | 122 Minutes |
| Country | Japan |
| Languages | Japanese |
| Release | November 11, 2022 |

